This Netflix original documentary tracks the congressional campaigns of women aiming for the Democratic nomination for four lower house seats. The movie shows grassroots campaigns led by ordinary people – Alexandra Ocasio-Cortez, for example, is a waitress at the beginning of the film – in order to bring real change to American politics. One of the main policy areas the women addressed in their campaigns was healthcare and a theme that recurs often is the influence of money on politics in the US.
‘Knock Down the House’ is, despite the drama contained in the title, a sensitive portrayal of ambition and shows how individuals must invest themselves in a venture of this nature; for these women – Ocasio-Cortez (New York), Cori Bush (Missouri), Paula Jean Swearingen (West Virginia), Amy Vilela (Nevada) – campaigning becomes personal and compulsive. Their reactions are honed to be fast; they have to be quick on the draw in order to effectively engage in such activities as doorknocking and public debates. Handing out leaflets on city streets is just as important as developing effective policies or as raising funds from donors contacted by telephone. In each case, the candidate is supported by a team of committed individuals. The movie helps to clarify what is involved in the process of politics. We often criticise politicians and, now with social media, such treatment is more visible than it has ever been, but we mostly don’t think about how it affects people who are, on a daily basis, intimately involved.
The movie does four things that are tied to the notion of ambition. Firstly, the movie is aspirational, both from the standpoint of the actors and of the filmmakers themselves. It is a kind of primer to a process of renewal, as well as being an act of witnessing the ceaseless striving, for authenticity and its attendant success, that takes years of hard, continuous work and that might end up with a defeat at a poll. When filming began, well before 2018, the year in which the elections took place, it was not at all clear who would win and who would lose. But even if none of the movie’s subjects had been successful, it is clear that such efforts can bear fruit after a delay of many years. (Michael Lewis’ ‘Trail Fever’ (1997) demonstrates how this was true of the ’96 Republican races; policies expressed at that time were echoed strongly in Donald Trump’s 2016 campaign.)
Secondly, the movie clarifies the dynamic that conditions relations between different political players: between the candidate and her staff, between the candidate and potential voters and sponsors, between two competing candidates (for Ocasio-Cortez the opposition was Joe Crowley, representing the establishment in the form of the “Queens Machine”).
Thirdly, ‘Knock Down the House’ serves to illustrate America’s extraordinary diversity. You get to see a range of different contexts in which politics is performed – from the bright green valleys of the Appalachians to the parched, brown streets of suburban Nevada; from the busy thoroughfares of the Bronx to the leafy avenues of suburban St Louis. The cinematography is excellent, adding charm to a product that, in itself, was always going to be very interesting. It must’ve helped that the director is a woman; the movie opens, for example, with Ocasio-Cortez putting on her makeup in preparation for an important event.
And always there’re the voters, average people with their own taste in clothes, a range of hairstyles; an entire inventory of middle America. For some readers of this post, the idea of democracy in the USA might seem old-fashioned due to known deficits that persist in many states, as well as at the federal level. Because people like the women shown in the movie are aware of such deficits, the movie’s title serves as a potent reminder of an ongoing struggle. So, fourthly (and, possibly, most importantly), ‘Knock Down the House’ shows how some form of representation of the individual – his or her wishes and aspirations, his or her problems and wants – can exist even under the most trying conditions.
I found this movie to be solid; it is also understated and careful: an appropriate response to a situation that deserves, because of the privileged position that the US maintains in the world, closer scrutiny both by Americans and by people living in other countries. Well worth the time needed to watch.
‘Knock Down the House’ is, despite the drama contained in the title, a sensitive portrayal of ambition and shows how individuals must invest themselves in a venture of this nature; for these women – Ocasio-Cortez (New York), Cori Bush (Missouri), Paula Jean Swearingen (West Virginia), Amy Vilela (Nevada) – campaigning becomes personal and compulsive. Their reactions are honed to be fast; they have to be quick on the draw in order to effectively engage in such activities as doorknocking and public debates. Handing out leaflets on city streets is just as important as developing effective policies or as raising funds from donors contacted by telephone. In each case, the candidate is supported by a team of committed individuals. The movie helps to clarify what is involved in the process of politics. We often criticise politicians and, now with social media, such treatment is more visible than it has ever been, but we mostly don’t think about how it affects people who are, on a daily basis, intimately involved.
The movie does four things that are tied to the notion of ambition. Firstly, the movie is aspirational, both from the standpoint of the actors and of the filmmakers themselves. It is a kind of primer to a process of renewal, as well as being an act of witnessing the ceaseless striving, for authenticity and its attendant success, that takes years of hard, continuous work and that might end up with a defeat at a poll. When filming began, well before 2018, the year in which the elections took place, it was not at all clear who would win and who would lose. But even if none of the movie’s subjects had been successful, it is clear that such efforts can bear fruit after a delay of many years. (Michael Lewis’ ‘Trail Fever’ (1997) demonstrates how this was true of the ’96 Republican races; policies expressed at that time were echoed strongly in Donald Trump’s 2016 campaign.)
Secondly, the movie clarifies the dynamic that conditions relations between different political players: between the candidate and her staff, between the candidate and potential voters and sponsors, between two competing candidates (for Ocasio-Cortez the opposition was Joe Crowley, representing the establishment in the form of the “Queens Machine”).
Thirdly, ‘Knock Down the House’ serves to illustrate America’s extraordinary diversity. You get to see a range of different contexts in which politics is performed – from the bright green valleys of the Appalachians to the parched, brown streets of suburban Nevada; from the busy thoroughfares of the Bronx to the leafy avenues of suburban St Louis. The cinematography is excellent, adding charm to a product that, in itself, was always going to be very interesting. It must’ve helped that the director is a woman; the movie opens, for example, with Ocasio-Cortez putting on her makeup in preparation for an important event.
And always there’re the voters, average people with their own taste in clothes, a range of hairstyles; an entire inventory of middle America. For some readers of this post, the idea of democracy in the USA might seem old-fashioned due to known deficits that persist in many states, as well as at the federal level. Because people like the women shown in the movie are aware of such deficits, the movie’s title serves as a potent reminder of an ongoing struggle. So, fourthly (and, possibly, most importantly), ‘Knock Down the House’ shows how some form of representation of the individual – his or her wishes and aspirations, his or her problems and wants – can exist even under the most trying conditions.
I found this movie to be solid; it is also understated and careful: an appropriate response to a situation that deserves, because of the privileged position that the US maintains in the world, closer scrutiny both by Americans and by people living in other countries. Well worth the time needed to watch.
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