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Wednesday, 27 May 2020

Movie review: Have a Good Trip: Adventures in Psychedelics, dir Donick Cary (2020)

Using a range of materials including interviews with actors (alive and dead), old public information films, cartoons, and interludes with a character named Captain Good Trips (played by Otis Cary) this Netflix documentary intends to be part of a wider debate about such things as LSD and magic mushrooms.

While it is informative the inclusion of Anthony Bourdain (who suicided two years ago) and Carrie Fisher (who died in 2016; she is known to have abused drugs) takes some of the shine off the product. And for someone of my generation – brought up in the 60s and 70s – there’s not a heck of a lot of new information to be found here. I dropped acid on one occasion in the mid-80s when I was in my twenties. I was at a sporting field in Leichhardt – in fact it was Taverners Hill, nearby – with an Englishman named Gary, who was a friend of mine in Sydney. Nothing happened and I never repeated the experiment but the problem with illicit substances is something I was aware of at the time: they can cause health problems. Drugs can lead to people being admitted to hospital, to spending time in mental institutions, to losing their jobs, to the breakdown of marriages, and to poverty. A "bad trip" might sound benign, but it can be traumatic.

Watching Cary’s film I wanted more viewpoints. Hearing about Sting’s trips is fun in a goofy way and Deepak Chopra is amusing on account of his willingness to ascribe to the use of psychedelic drugs all the achievements of the generations that brought us the post-war counterculture, yet more hard science is really needed to make the film truly reflect the range of viewpoints that are out there in the wider community. A psychiatry professor named Charles Grob adds some much-needed expertise but the filmmakers could’ve profitably located more of such people. Someone for example who’d advise against the use of psychedelics. Hacking in the odd segment from a dicky 80s anti-drug propaganda film doesn’t address the real issues, and just makes reservations – no matter how warranted – about such substances appear to be relics of the stone age. 

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